Partitions Numériques de Personal Sun Music pour Saxophone Alto et Piano

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Personal Sun Music
Non classifié 141

Piano & claviers
Piano, Voix 179
Accompagnement Piano 49
Piano Facile 27
Piano seul 24
Piano, Voix et Guitare 19

Orgue 1
2 Pianos, 4 mains 1
Instruments en Do 1

+ 3 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 2
Ukulele 1

Voix
Voix Tenor, Piano 17
Chorale SATB 16
Voix Soprano, Piano 8
Chorale SSAA 6
Voix Alto, Piano 5

Chorale Unison 5
Voix Tenor 4
Chorale 3 parties 4
Chorale TTBB 3
Voix Soprano 1
Chorale 2 parties 1
Voix duo, Piano 1

+ 7 instrumentations

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Vents
Clarinette 13
Flûte traversière 9
Saxophone Alto 6
Hautbois 6
Saxophone Soprano 5

2 Saxophones (duo) 5
Saxophone Baryton 5
Saxophone Tenor et Piano 5
Flûte, Hautbois, Clarinette, Basson 4
Clarinette et Piano 4
Saxophone Soprano et Piano 4
Saxophone Tenor 4
Flûte traversière et Piano 3
Saxophone Alto et Piano 3

Cor Anglais 3
Hautbois (partie séparée) 3
Saxophone (partie séparée) 2
Clarinette, Violon (duo) 2
Clarinette, Trompette (duo) 2
Saxophone Baryton, Piano 2
Hautbois, Piano (duo) 2
Saxophone, Clarinette (duo) 2
2 Flûtes traversières (duo) 1
Flûte, Saxophone (duo) 1
Flûte, Violon 1
2 Hautbois (duo) 1
Clarinette et Alto 1
Quatuor de Saxophones: 4 saxophones 1
Cor anglais, Piano 1
Flûte, Clarinette (duo) 1
Hautbois, Flûte 1
Hautbois, Basson (duo) 1
Ensemble de Flûtes 1
Flûte, Trompette (duo) 1
Hautbois, Clarinette (duo) 1
2 Flûte à bec (duo) 1

+ 31 instrumentations

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Cuivres
Trompette 11
Tuba 8
Trombone 8
Cor 7
Quatuor de Cuivres: 2 trompettes, Cor, trombone 4

Trombone et Piano 3
Cor Anglais 3
Tuba et Piano 2
Trompette, Saxophone (duo) 2
Cor anglais, Piano 1
2 Trombones (duo) 1
Cor et Piano 1
2 Trompettes (duo) 1
Trompette, Trombone (duo) 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Trompette (partie séparée) 1

+ 11 instrumentations

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Cordes
Violon 11
Quatuor à cordes: 2 violons, alto, violoncelle 9
Harpe 9
Alto seul 7
Contre Basse 6

Violoncelle 5
Violon et Piano 5
Violoncelle, Piano 5
Alto, Piano 3
4 Harpes 1
Violon, Violoncelle (duo) 1
2 Violons (duo) 1
Violoncelle (partie séparée) 1
2 Altos (duo) 1
Violon, Alto (duo) 1
Trio à Cordes: violon, alto, violoncelle 1
2 Violoncelles (duo) 1

+ 12 instrumentations

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Percussions & orchestre
Xylophone 5
Marimba 3
Orchestre 3
Orchestre de chambre 3
Cloches 2

Fanfare 1

+ 1 instrumentations

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Personal Sun Music

Saxophone Alto et Piano

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3 partitions trouvées

Alto Sax - "And Can It Be?" Theme and Variations

Alto Sax - "And Can It Be?" Theme and Variations #Saxophone Alto et Piano #INTERMÉDIAIRE #Musique Sacrée #Lyrics: Charles Wesley, Music: #Dan Cutchen #Alto Sax - "And Can It Be #Dan Cutchen Music #SheetMusicPlus

Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged...(+)

Alto Saxophone,Piano - Level 3 - SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,â€™ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Brayâ€™s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Brayâ€™s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesleyâ€™s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

$7.00 ≈ $9.54

Amazing Grace, Gospel Hymn for Alto Saxophone and Piano

Amazing Grace, Gospel Hymn for Alto Saxophone and Piano #Saxophone Alto et Piano #FACILE #Musique Sacrée #Gospel Spirituel #John Newton #David McKeown #Amazing Grace, Gospel Hymn for #David McKeown #SheetMusicPlus

Alto Saxophone,Piano - Level 2 - SKU: A0.592650 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. ...(+)

Alto Saxophone,Piano - Level 2 - SKU: A0.592650 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411253. Published by David McKeown (A0.592650). Amazing Grace is a beautiful hymn arranged here for Solo Alto Saxophone and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.

$2.49 ≈ $3.39

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